Canon XH A1 1.67MP 3CCD High-Definition Camcorder with 20x Optical Zoom Review
I’ve had this camera since 2007. I consider myself a prosumer filmmaker and not a cinematographer. My review is not applicable to professionals but geared towards a niche demographic who can afford not having technology be a culprit to better art. Being a director, I consider camerawork one of many pieces of filmmaking. Such philosophy shows in my review and films, by the way.
One of the first lessons I learned is not having an audience distracted by the quality of the presentation, i.e. video. I can’t say the XHA1 makes a film look great. I can say it makes it look not cheap – not recorded from a hand held picked up at W-mart or B-Buy. Post process editing, lighting, cinematography aside you can find better cameras. However, the price point isn’t gradual its a giant leap. Being a proponent of Canon, I was quite satisfied with my decision with the XHA1 knowing I couldn’t spend anymore.
While there are reasons to shoot in SD or even 4:3, there is no sense to deny yourself HD. Without explaining the advantageous of HD, I’ll focus reviewing the camera and say the video looks great in capturing minute details. 16:9 is the only resolution with 24 or 30fps. Image stabilization helps hand-held look near tripod quality. Hint: do not use IS while on a tripod at risk of having the floating camera effect. Since I abhor the “shaky camera” style, I cannot review the differences between IS and not when looking to present that technique.
The camera is as auto or manual control as you like. Many of my imperfections I remedy post-process. Because I compete in timed projects, I practice guerrilla style filmmaking not having the luxury for all the bells and whistles to set up a scene optimally. But they are there when I need them. I shoot mostly wide angle and choose to dolly in/out of my subjects. There is fish-eye effect, keep in mind. You can start shooting in two conveniently placed buttons depending how you wish to hold the camera. There are two levers to control zoom. One fast, the other slow. Favorable to your desired camera technique.
Microphone: It’s okay with a little tinniness. Probably one of the weaknesses. I purchased a third-party shotgun mic from Amazon and moved the quality from a C+ to a B.
Durability: The record button on top of the handle is a little screwed up. The spring underneath is worn and sometimes the button doesn’t pop up in its place and is pinned under the chassis. Disappointed since I don’t use the camera that often and that button even less. Other than that, it holds up fine. Be very careful to never to touch the LCD with your fingers. The smears linger and any pressure smudges the image. The monitor is a guide, judge your work after you pull from miniDV.
Still photography: Others are discouraged if not disappointed that Canon offered a simple, no-brainer feature to a digital commodity. For me, its a feature of convenience and not a substitute for professional DSLR photography. But it is nice on occasion to frame a subject in widescreen. The shutter is noticeably delayed and the quality is film grainy. You will need a separate memory card. I use the camera as a tool to capture moments. Sometimes, a still image is more appropriate.
Battery life: I purchased a larger spare battery from a third-party. You also have the luxury to record and have AC power. The charger works quickly.
I bought a set of filters, again from Amazon. One for fluorescent lighting, one for Neutral Density, and UV to protect the camera. Though the camera has a built in ND filter with feedback, I’ve encountered such bright days it wasn’t enough. The UV lens seemed to make sense to protect your investment until I noticed reflections from the video in my video.
Camera envy: I didn’t buy this camera to look cool. I was serious about my endeavors in filmmaking. But since I acquired the camera, companies including Canon are coming up with HD cameras cheaper and of higher resolution as the XHA1. True, they’re for consumers and tourists but I do wonder if the benefits of the XHA1 will depreciate. (In fact, I will acquire Canon’s latest models after they come out in April). But I’ll be honest. If you’re going to lead a team of talent and film crew to shoot a project that will be shown in public in a cinema somewhere, best you look the part. No different than your actors. When you take this camera out for action it demands serious attention. Actors know at first sight this isn’t home movies. When they see you spent money to capture their appearance and performance they’ll feel as serious as you.
Canon XH A1 1.67MP 3CCD High-Definition Camcorder with 20x Optical Zoom Feature
- Captures true 1080 resolution, widescreen (16:9) HD video
- 2.8-inch widescreen LCD monitor; .57-inch viewfinder
- 20x HD zoom lens; Super-range optical image stabilization
- Three 1/3-inch 16:9 CCDs (1.67 megapixels)
- DIGIC DV II HD image processor
Canon XH A1 1.67MP 3CCD High-Definition Camcorder with 20x Optical Zoom Overview
Canon XH-A1 captures true 1080 High Definition resolution video at 60i, 30F or 24F frame rates (or, 50i/60i with optional upgrade). It captures a true 16:9 widescreen HD image that is made for your HD broadcast and theatrical projects. It comes with a Genuine Canon 20x HD Professional L Series Fluorite lens delivering outstanding resolution, contrast and color reproduction; delivers clarity and image quality you won’t see with conventional optical glass lenses. Designed specifically for HD, Canon’s DIGIC DV II ensures optimal image quality for HD video, with improved color reproduction – especially in skin tones, and dark and light scenes. It also employs a hybrid noise reduction system that integrates two types of noise reduction, for high definition images that are crystal clear. Designed for professional use, the Canon XH-A1 comes with a 2.8″ Widescreen LCD and .57″ Widescreen EVF for bright, high-resolution views. The LCD and EVF can be used at the simultaneously, giving both cameraperson and director or producer a view of the action. It records on HDV digital tape cassettes. There’s also a slot for SD memory cards. Canon’s innovative Super-Range Optical Image Stabilizer combines gyro- and image-sensors to correct camcorder shake instantly – whether it’s the fast vibration you’d experience while recording from a moving car; the medium-speed motion of hand-held recording; or the slower motion of body sway. With HD, focus is more critical than ever. Instant AF is the next generation of auto focus, designed with HD resolution in mind. It combines an external AF sensor with Canon’s legendary auto focus system for fast and accurate focus. Together, the two sensors reduce focusing time – even in low-light situations – and improve focusing performance on difficult subjects. There are 9 Custom Presets, 2 Custom Keys, and 7 Programmable AE Modes.
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